Ghazaros Saryan’s “Andante and Presto” as a sum of his creative path

Authors

  • Narine Alexander Sahakyan Yerevan State Komitas Conservatory

DOI:

https://doi.org/10.58580/18290019-2025.1.68-53

Keywords:

creative path, thematic connections, intonational vocabulary, musical style characteristics, constructive logic of form, components of the mask theme

Abstract

Andante and Presto for violin and orchestra represents a distinctive synthesis of Ghazaros Sarian's artistic evolution, marking the completion of his creative journey. The composition integrates, in a highly concentrated and generalized manner, the defining characteristics of the author's individual intonational language, the principles underlying the generation and development of musical material, and the structural logic of formal organization. The integration of these compositional parameters within a single work imparts to it the quality of an internally coherent artistic whole. In this way, the piece can be seen as the best example of Sarian's compositional style, as it shows the most significant aspects of his musical thinking and creative process.

Author Biography

Narine Alexander Sahakyan, Yerevan State Komitas Conservatory

(Born Sept 16, 1984, in Yerevan). She graduated in 2007 from the Musicology Department of the Vocal-Theoretical Faculty of Yerevan Komitas State Conservatory (class of Professor, PhD in Arts, Honored Artist of RA A. A. Saryan). In 2011 she completed her postgraduate studies, defending a PhD thesis on "Stylistic Features of Ghazaros Saryan's Creative Work" and receiving the scientific degree of PhD in Arts (scientific supervisor: A. A. Saryan). From 2007 to 2012 she worked at Yerevan R. Melikyan State Musical College as a concertmaster; in 2012-2013 - at Yerevan Komitas State Conservatory as an assistant to Prof. A. A. Saryan; in 2012-2024 - at Yerevan A. Ter-Ghevondyan Musical School as deputy director. Since 2013, she has been teaching at the Chair of Music History of Yerevan Komitas State Conservatory; Associate Professor - since 2019. From March to November 2025, she held the position of Deputy Director, then that of Deputy Director for Scientific Research at the "Komitas Museum-Institute" SNCO. Author of about two dozen articles.

References

Kamensky A., Martiros Sarian - Paintings, Watercolors, Drawings, Book Illustrations, Theatrical Design., Leningrad, Avrora, 1987, p. 340.

Sarkisyan S., Armenian Music in the Context of 20th Century. Research. Mosocw, Kompositor, 2002, p. 293.

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Published

2025-12-02

How to Cite

Alexander Sahakyan, N. (2025). Ghazaros Saryan’s “Andante and Presto” as a sum of his creative path. Musical Armenia, 68(1), 53–57. https://doi.org/10.58580/18290019-2025.1.68-53