Ghazaros (Lazar) Saryan, Tigran Mansuryan’s beloved teacher

Authors

  • Anna Sen Arevshatyan Yerevan State Komitas Conservatory

Keywords:

Ghazaros Saryan, pedagogy, cultural atmosphere, sonata, film music, photographs, director, Tigran Mansuryan

Abstract

The article discusses Ghazaros Saryan, an Armenian composer in the second half of the 20th century, and an educator whose professional class at the conservatory produced several composers. In 1960, at the age of 40, G. Saryan was appointed rector of the Conservatory, and the same year he established a specialized class of music composition. Tigran Mansuryan was among the first to enroll, becoming Saryan 's inaugural student. His time at the Conservatory under G. Saryan played a crucial role in Mansuryan's evolution as a composer. Interactions with Martiros Saryan, his family, and the vibrant cultural environment within the Master's home also profoundly shaped Mansuryan 's artistic development. This rich backdrop significantly contributed to the shaping of the young composer's intellectual and artistic identity. In 1964, while still a student, he entered the realm of film music. His two decades of productive collaboration with Hayfilm Studio facilitated encounters with notable directors such as S. Parajanov, H. Malyan, B. Hovhannisyan, and A. Mkrtchyan, among others. During the late 1960s, Mansuryan placed significant emphasis on the sonata genre, marking a dramatic shift towards the influences of the Western European avant-garde. The author highlights specific works developed under the guidance of G. Saryan.

Author Biography

Anna Sen Arevshatyan , Yerevan State Komitas Conservatory

07.11.1951 in Yerevan) Musicologist, medievalist, Doctor of Art History (2001). Graduated from the Musicology Department of the Yerevan Komitas State Conservatory (class of R. Stepanyan, PhD of Arts). Since 1976, she has been the head of the Department of Armenian Musicology in the Institute of Arts of the National Academy of Sciences of the Republic of Armenia and is now a researcher. Arevshatyan has been teaching at the Yerevan State Conservatory since 1990 and has been a professor (2007). She is the author of 11 monographs focused on the history, theory, and aesthetics of Armenian sacred music. Arevshatyan has written numerous essays and articles in Armenian, Russian, French, German, and English.

References

Mansuryan T. Y., Saryani harki tak, //Granish, 05/12/2017:

Nestor Castiglione, Dilijan Chamber Musical Series //Culture Spot LA, 2014.

/Uzelki vremeni. Epokha Andreya Volkonskogo: vospominaniya, pis’ma, issledovaniya, SPb: //Jaromir Hladik press, 2022.

Berko M. A., Lazar’ Saryan. Yer.: Luys, 1990.

Berko M. A., Tigran Mansuryan. /Muzyka respublik Zakavkaz’ya., Sb. statej. Sost. i otv. red. G. Ordzhonikidze., sost. i red. E. Abasova, G. Geodakyan. red. N. Shakhnazarova, Tbilisi: Khelovneba, 1975.

Tigran Mansuryan, Menerger., /Khmbagir, arajabani ev tsanothagruthyunneri heghinak A. Avanesov, “Koghb” himnadram, 2024 th.

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Published

2026-02-12

How to Cite

Arevshatyan , A. S. (2026). Ghazaros (Lazar) Saryan, Tigran Mansuryan’s beloved teacher. Musical Armenia, 68(1), 29–33. Retrieved from https://yerazhshtakanhayastan.am/index.php/ma/article/view/495